Bigfoot2

Daryl Toor

Atlanta, GA
33.748314, -84.391106
www.attentiongroup.com

About: CEO of Attention!, the first national marketing firm to incorporate blogging, chat, forums, podcasts, avatars, social networks and other new media into its practice along with other traditional PR and marketing techniques. Responsible for building communities for Sony/Ericsson, eBay's Rent.com and many more.

Responsible for founding the first PR newsgroup on the Web,Toor also has 4 popular blogs:

http://attentiongettingmarketingsolutions.blogspot.com/;
http://travelpros.blogspot.com; http://slippeddiscsreviews.blogspot.com;and http://gadgetexperts7007.blogspot.com.

Daryl Toor hasn't filled out the profile answers yet!

Blog Posts

blog posts

Neil Diamond - Home Before Dark

--

Home Before Dark is Neil Diamond's second collaboration with producer Rick Rubin. Their first, 12 Songs, was sabotaged by Sony's "Rootkit" program ...

Cliff Richard - Rock Connection

--

The Rock Connection was originally released in 1984, some 26 years into Cliff Richard's career. Along with the Rock 'n' Roll Silver album from the ...

Alice Cooper -The Eyes of Alice Cooper

--

Give him points for persistence: Alice Cooper just won't quit. He's seen it all from the bottom to the top — and done the trip more than once — but...

The Go Gos - God Bless the Go Gos

--

The release of God Bless the Go-Go's evokes the spirit of those movies where beloved fictional characters from another time period (The Brady Bunch...

Willie Nelson- Outlaws and Angels

--

Outlaws and Angels is the audio counterpart to the Willie Nelson Special that aired on cable television in the summer of 2004. Here, Nelson is surr...

Bookmarks:

ANTHRAX - 'THE GREATER OF TWO EVILS' (2004)

By the time this record was released John Bush had been vocalist for Anthrax for over a decade, yet many of the band's most famous songs remain those from the five studio albums released before his tenure. As such 'The Greater of Two Evils' sees Anthrax re-recording a selection of classic songs with Bush on vocals. It's an idea that has some merit, but the crucial question is whether the final results here are an improvement on the originals - and in almost every case the answer is an emphatic no.

That's not to say this isn't still an enjoyable album, but trying to replicate (or better) classics from the past is always going to be a difficult task, and matters aren't helped by the rushed recording methods which saw the entire album completed in two days. The result sounds a bit like a live radio session - a good live album, but the songs lack the care spent on the original studio recordings. Bush acquits himself perfectly fine, and the downtuned guitars give this a slighter heavier feel in places than some of the originals, but that's about it.

For Anthrax fans this is a fun little exercise, but hardly essential. And as for being the 'greater of two evils' - well, considering the fact that shortly after this the band would ditch Bush in favour of returning former vocalist Joe Belladonna would indicate even Anthrax don't really believe that claim to be the true...

SLAYER - 'SOUTH OF HEAVEN' (1988)


Following the full-on speed-burst insanity of Slayer's immense 3rd album 'Reign in Blood', 1988's follow-up record 'South of Heaven' regularly gets the tag as Slayer's 'slow' album. That's not strictly accurate however, as this album is much more varied than 'Reign in Blood', ranging from the slow but majestic tracks 'South of Heaven' and 'Spill the Blood' through such mid-pace songs as 'Mandatory Suicide' and 'Behind the Crooked Cross', and even taking in such tracks as 'Silent Scream' and 'Cleanse the Soul', which are fast and furious enough to give anything on 'Reign in Blood' a run for it's money. While 'South of Heaven' can't compete with 'Reign in Blood' for sheer speed and intensity there is probably a better quality of song-writing on display here, and ironically the general slowing down of the tracks actually makes Dave Lombardo's drums sound more impressive, as he now has the space to insert numerous immense tom rolls. Crucially 'South of Heaven' sees Slayer still growing and experimenting with their sound - witness Tom Araya's narration on 'Mandatory Suicide', the intro from 'Chemical Warfare' pasted onto the front of 'Ghosts of War', the twisted melodic singing on 'Behind the Crooked Cross' and 'Spill the Blood', even the almost rap rhythm vocals of 'Read Between the Lies'. Throughout the riffs are immense - just listen to the epic fade-out on the title track that loops backwards into the intro to the insane opening of 'Silent Scream' and you'll be converted. Yes - it's different than the unbeatable 'Reign in Blood' - but 'South of Heaven' is still an essential metal classic in its own right.

SLAYER - 'REIGN IN BLOOD' (1986)


What can you say about this album that hasn't already been said before? In case you've been living under a rock for the past 19 years 'Reign In Blood' is quite simply the best thrash / speed metal album ever made. No argument. At the time 10 songs in 29 minutes seemed ridiculously fast, but while the more recent advent of blastbeats have made Dave Lombardo's drums no longer as impressive as they once were, the sheer intensity of this fat-and-filler-free album is still breathtaking. Not only did Slayer up the speed to new levels at the time, this album also has some of the most potent metal riffs of all time - the immense opening riff of 'Reigning Blood'; the middle riff of 'Angel of Death'; the rhythmic opening of 'Jesus Saves' - the list goes on and on - every song is a bona fide classic. The only aspect of this album that hasn't dated well is Tom Araya's occasional high pitch metal screams (which he would himself drop shortly after), but even these aren't enough to undermine this truly classic album. Slayer themselves have spent the last 19 years trying - and failing - to match this album in terms of quality and intensity - utterly essential.

SLAYER - 'LIVE UNDEAD' (1984)


This must be one of the strangest career moves ever - with only 1 studio album and 1 EP to their name (and if you're lucky your edition of this CD will feature the 'Haunting the Chapel' EP as bonus tracks) Slayer decide to put out a live album. It goes without saying therefore that there isn't much variation in the setlist, and if you really want the definitive live Slayer album you need to buy 'Decade of Aggression', but the band turn out decent performances of their early songs here, and a Slayer live show is always enjoyable. More annoying however is the production - not the band, as this was actually a 'fake' live album recorded in a studio, but the audience, which sounds as though it was recorded separately and mixed on; instead of being just between songs the loud chanting and screaming is looped so that its ever present, even during songs (how often have you heard an audience chanting a bands name in the middle of a song?), and at one ridiculous point the audience is even sped up, presumably to sound like howling demons.
Slayer playing the likes of 'Black Magic' and 'Die By The Sword' is always going to have some merit, but looking at their discography as a whole this is the least essential purchase - one for completists only.

SLAYER - 'HELL AWAITS' (1985)


Slayer increased the speed and the extremity for their second album, but the quality of the songs and the production is actually lower here than on 'Show No Mercy'. There are plenty of great moments on 'Hell Awaits' - the pounding opening riff of the title track; the slow doomy section on 'At Dawn They Sleep', or the up tempo breaks of 'Crypts of Eternity', but sadly the album as a whole has dated quite badly, with the awful muddy production burying any promise of the songs so that the band sound as though they are playing in some echoey cavern. Slayer would go on to redefine thrash metal with follow-up album 'Reign in Blood', so while 'Hell Awaits' may have sounded extreme and pacy at the time, it now resembles a lumbering dinosaur 20 years later, with the band still sounding sloppy and rough around the edges. Undoubtedly an important step on Slayer's journey, 'Hell Awaits' has great historical import for fans of the genre, but actually listening to it confirms it as the bands least impressive album.

SLAYER - 'SOUNDTRACK TO THE APOCALYPSE' (2003)

OK – let’s get the obvious out of the way first – it’s Slayer, the ultimate thrash metal band, so obviously this is going to be essential to those fans with large enough wallets, but while it’s a pleasant package it’s also a little empty in terms of content.

The biggest mystery to me is why bands ever bother to include material in box-sets that is already available elsewhere – surely the only people going to be spending such a large amount of money on a box set are going to be those hardcore fans who already own all the albums, so what’s the point of padding this set out with tracks lifted from Slayer's previous albums? As such the majority of the first two CD's is pointless padding that you’ll play once and never again. The only mild ‘rarities’ on the first CD that you might not already own (depending on what pressing of the original album releases you own) are the B-Sides 'Aggressive Perfector' and the remix of 'Criminally Insane'. CD 2 at least has the benefit of 8 worthwhile ‘non-album’ tracks (though as these have all previously been released either on soundtrack compilations or as bonus tracks you may already own a few) – highlights here include Slayer's team up with Ice T on 'Disorder' and the cover of Suicidal Tendencies’ 'Memories of Tomorrow', though inevitably the fact that the majority of the remaining songs are bonus track album offcuts means they are hardly prime Slayer material.

What should be the highlight of the set, the ‘Previously Unreleased’ material that makes up the 3rd CD, actually turns out to be rather disappointing. Genuinely interesting material include the early live track 'Ice Titan' (an early version of 'Altar of Sacrifice'), band practices of 'The Antichrist' and 'Fight Till Death' recorded in Tom Araya’s garage, and Jeff Hanneman’s instrumental demos of 'Raining Blood' and 'South of Heaven', both of which are very different to the final versions, and Atari Teenage Riots sampling of the band for 'No Remorse' (though as this is taken from another soundtrack it doesn’t really qualify as ‘previously unreleased’). The rest of the tracks are just live tracks recorded at various points in the band's career and aren’t particularly interesting (who cares that the version of 'Angel of Death' here was one of their first performances of the song – it sounds exactly the same as every other time they’ve played it!). The DVD is interesting in terms of historical footage, but contains little material of sufficient sound and picture quality that you’ll watch it more than once. The bonus live CD is well recorded, but the interest of hearing how newly-returned drummer Dave Lombardo copes with the newer material is dampened by the fact that only two recent Slayer songs are performed, with the rest of the set being tracks already familiar from the 'Decade of Aggression' live album, with only Tom Araya losing it with the security being of interest.

There’s a nice booklet, backstage pass, banner, etc – but ultimately there’s about 1 CD and 1 DVD’s worth of genuinely worthwhile material here for the confirmed Slayer fan – the rest is just padding to justify the price. For completists only.


Network

Daryl Toor doesn't have anyone in their network yet.

Comments

Tony Stubblebine:

You're definitely winning the contest for best profile photo.